This short story is adapted from my novel The Nude Pianist.Quitting Long Ver_Pub
Colorized pen and ink sketches.
Paintings made on iPhone and iPad using various apps.
New ceramic project: Cat with preliminary color schemes.
Recently for my nightly sketching, I have switched from pencil (8B) to ink using an Arts Hybrid Technica 0.3mm pen by Pentel. I’ve also rediscovered my Shaeffer 585 gold nib medium-fine fountain pen. This pen was a gift from a music composition teacher. For years, even after e-mail, I wrote 90% of my correspondence with this pen. Shaeffer black ink. (Not permanent).
There’s a certain harrowing esthetic with all the dark lines that I’m enjoying at the moment. The subject matter remains at the intersection of sleep and wakefulness where images, (erotic, mundane, and terrifying) meld into a surreal gumbo of lines.
The Night Book is a folio of mixed-media paintings: pencil, ink, watercolor, Aquarelle pencil & acrylic. The paintings began as pencil, later ink, drawings made in my bedside Moleskine and Stillman & Birn sketchbooks while in that zone between wakefulness and sleep, A world devoid of reason but rich in images: half-formed, unrelated, surreal, erotic, even terrifying. A critic likened my phantasmagoric paintings to graphic poetry. Inspiration for the Night Book project came from Goya’s Los Caprichos (1799), and from François Desprez’s (1655) and Gustave Doré’s (1854) illustrations for Rabelais’s Pantagruel (1655), in my novel, The Nude Pianist (Fictionaut, 2016), a few of these paintings appear as the work of Francesco Martinelli.
All these drawings are protected by International Copyright. Click on the paintings to enlarge.
A rewrite of my story of love, sex, murder, cannibalism.The Red Suitcase
My recent story about musical life in New York City in the 1990’s with a confusion of real and surreal people.
After Ki Woon Huh, my Korean master ceramics teacher accidentally broke my laboriously constructed and painted piece, Bouteille de Parfum, he made a copy from my drawings. My version was slab made, Ki Woon used the wheel and expertly bent the clay into the complex shape. The result was a much lighter piece which has been drying for five months in the studio.
After I finished painting Kneeling Woman, he asked me to decorate the new Bouteille de Parfum. Because the porcelain was so dry, it was not possible to make a wet transfer from a cartoon drawn on calque, I had to draw the cartoon freehand directly on the clay with a pencil. The drawings are different than the first version and are derived from newer pen, ink & wash drawings from my Night Book series. Below are the four views of the new Bouteille de Parfum with the cartoon drawn on the clay. The piece is a little smaller than the original. It is ~12″ wide and 16″ tall.
Here is the piece painted. It still needs a bisque firing and then a firing with the over glaze.