I submitted this drawing to my Korean master ceramics teacher as a possible new project in porcelain. He said: “You can draw it, but you can’t make it out of clay. Metal, plastic, or glass, but not clay. It will collapse in the kiln.”
Here are my three entries in the Mobile Digital Art Contest. All three were made on an iPad using various art apps and my finger as a stylus. Unfortunately, due to a technical error on my part the images the judges received were thumbnails, not full size as required. So my entries were disqualified.
William Bourroughs’s fictional alter ego. My first time using Cran d’Ache Neocolor II crayons.
Porcelain, handmade, and hand painted. Fired twice at cone 13. 16″ H
The name was suggested by my good friend Patricio Villarroel-Borquez. I told him the top couldn’t come off and the spout didn’t work. He said, “It’s a philosophical teapot. You can ponder the wonderful cups of tea it could make.”
Some of my more interesting earlier porcelain pieces.
The Night Book is a folio of mixed-media paintings: pencil, ink, watercolor, Aquarelle pencil & acrylic. The paintings began as pencil, later ink, drawings made in my bedside Moleskine and Stillman & Birn sketchbooks while in that zone between wakefulness and sleep, A world devoid of reason but rich in images: half-formed, unrelated, surreal, erotic, even terrifying. A critic likened my phantasmagoric paintings to graphic poetry. Inspiration for the Night Book project came from Goya’s Los Caprichos (1799), and from François Desprez’s (1655) and Gustave Doré’s (1854) illustrations for Rabelais’s Pantagruel (1655), in my novel, The Nude Pianist (Fictionaut, 2016), a few of these paintings appear as the work of Francesco Martinelli.
All these drawings are protected by International Copyright. Click on the paintings to enlarge.